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FF-f3; 2x8',1x4', buff; at A=415 but transposable to 440 or 392. 92" long. A strong concert-stage instrument with a richly-colored sound, reedy without being thin. My French doubles are known for their largesse of sound and the strength of their basses. The Taskin usually has a Swiss pine soundboard, and has walnut bridges and nuts, and a basswood case. $28,000.
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FF-f3; 2x8', 1x4', buff; at A=415 but transposable to 440 or 392, retaining f3 at 440. 92" long. A design with deep plucking points and large soundboard area, sweeter than the Taskin and just as full-sounding. Basswood case, walnut bridges and nuts, usually a Sitka spruce soundboard. $28,000. |
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GG-d3; 2x8', 1x4', buff; at A=415 but transposable to 440 or 392, retaining d3 in the 400 position. 88" long.
Basswood case, pear bridges and nuts, usually a Swiss pine soundboard. $25,500.
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Joze (Jose) Calisto 1780, Portugal Despite looking like a large Italian this is not a dry isntrument: it has enough after-ring for the French music and to fill out the two-part writing of Scarlatti, while having the clarity of attack to handle Bach's counterpoint, and a differentiation between a dark bass and a bright treble to create shading in Frescobaldi or turn Scarlatti's repeated phrases into statements and replies.
$20,500.
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Carlo Grimaldi, 1703, Italian GG-c3 as on the original, or to d3; chromatic bass. 2x8', strung in brass. Maple case and moldings, with maple or cedar soundboard, and walnut bridge and trim. At 415 but transposable to 392 or 440, retaining the same range. Length, 89", give or take. $18,000.
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Robert
Hicks Harpsichords
314 Hall Road, Lincoln, Vermont. 05443
802
453 3996... robert@hicksharpsichords.com